Contemporary VCOS 2 Patch List
THIS PERFORMANCE CONSISTS OF 2 LAYERS. THE FIRST LAYER USES A CUSTOM MULTISAMPLE WITH A SAMPLE AND HOLD MODULATION "BAKED IN". THE SECOND LAYER IS DOING A SQUARE WAVE BASED SYNTH PAD.
DOT DOT DOT USES ALL 4 LAYERS IN ARPEGGIO MODE. EACH LAYER IS SET TO A DIFFERENT ARPEGGIO RESOLUTION WHICH GIVES IT A UNIQUE, BOUNCING RHYTHM.
CYCLICAL STATE IS USING 2 SIMPLE WAVE SEQUENCES THAT CYCLE THROUGH 4 DIFFERENT CUSTOM MULTISAMPLES IN RANDOM ORDER. THIS CREATES A CONSTANTLY CHANGING TONE AND A VERY WIDE STEREO IMAGE.
THIS 2 LAYER PERFORMANCE CONSISTS OF A RANDOM ARPEGGIO AND A SYNTH PAD LAYER. MULTIPLE LFOS IN RANDOM S/H MODE ARE POINTED AT THE ARPEGGIO'S FILTER AND ENVELOPES.
THIS PERFORMANCE CONSISTS OF 2 LAYERS THAT ARE BOTH USING THE MS-20 HP FILTER. THE FILTER SWEEPS ARE DELAYED AND OFFSET BY USING THE PITCH ENVELOPES TO TRIGGER THE FILTER ENVELOPES.
STEREOBIUM USES 2 NEARLY IDENTICAL LAYERS TO CREATE A WIDE STEREO IMAGE. EACH LAYER GIVES YOU 3 DIFFERENT SAMPLES TO SELECT FROM VIA THE SAMPLE MOD KNOBS.
THIS PERFORMANCE USES ALL 4 LAYERS TO PRODUCE 4 DIFFERENT CHORDS. MIN7/11, MIN7, MAJ7 AND SUS4 ARE ALL AVAILABLE VIA THE PITCH PERF MOD KNOB.
SWEEPS & ARPS USES LAYERS A & B TO PRODUCE A BASS ARPEGGIO WHILE LAYERS C & D ARE PRODUCING A POLY SYNTH PAD & ARPEGGIO LAYER.
THIS POLY SYNTH WORKS GREAT FOR CHORDS, PLUCKY LEADS AND MELODIES. THE FILTER LFO IS ADDING SOME SUBTLE FILTER MOD WITH THE PITCH ENVELOPE CONTROLLING THE RATE.
THE POLY IS A MASSIVE POLYPHONIC SYNTH THAT USES JUST 2 LAYERS AND POLY UNISON 2 VOICE. SUSTAINED CHORDS, CHORD STABS AND MELODIES ALL WORK EXTREMELY WELL.
THIS PERFORMANCE IS USING A BONUS MULTISAMPLE THAT IS INCLUDED WITH CVCOS 2. THIS ONE MULTISAMPLE IS FROM A DCO SYNTH AND IT ONLY COVERS 2 OCTAVES. (C3-C5)
THIS PERFORMANCE USES ALL 4 LAYERS TO PRODUCE A SPLIT CONSISTING OF A SYNTH BASS (LAYERS A & B) AND A SYNTH PAD/ARPEGGIO LAYER. (LAYERS C & D)
THIS WIDE STEREO POLYPHONIC SYNTH STARTS WITH THE XMPWM MULTISAMPLES SELECTED FOR BOTH LAYERS. THE LFO DRIVEN PWM MULTISAMPLES ARE ALSO AVAILABLE FOR EACH LAYER VIA THE SAMPLE MOD KNOBS.
THIS PERFORMANCE IS A SIMPLE SYNTH BELL PATCH WITH 4 DIFFERENT MULTISAMPLES THAT ARE SELECTABLE VIA THE SAMPLE MOD KNOBS. LAYER B CAN BE TRANSPOSED UP TO A PERFECT 5TH OR DOWN TO A PERFECT 4TH.
XMPWM PADDING IS A 2 LAYER SYNTH PAD WITH A PITCH SWEEP IN THE ATTACK. LAYER A IS SWEEPING DOWN FROM A PERFECT 5THWHILE LAYER B IS SWEEPING UP FROM A PERFECT 4TH. BOTH LAYERS ARE USING POLY UNISON (2 VOICE) WITH 100% SPREAD.
PLUCKISH POLY IS USING THE SHAPE LANE OF BOTH LAYERS TO CREATE A FAST PITCH RAMP IN THE ATTACK. THE MOD KNOBS OFFER CONTROL OVER THE SPEED OF THE RAMP, THE PITCH CHANGE AMOUNT AND THE SHAPE STEP WITH A CHOICE OF 5 DIFFERENT SHAPES.
THIS PERFORMANCE IS USING THE VECTOR ENVELOPE IN VOLUME MODE TO ENDLESSLY CYCLE/CROSSFADE THROUGH 4 DIFFERENT MULTISAMPLES. THE PERFORMANCE SAMPLE MOD KNOB IS CONTROLLING THE VECTOR SPEED PARAMETER. CRANK IT UP TO INDUCE SOME AMPLITUDE MODULATION LIKE SOUNDS.
4 FILTERS WORTH USES JUST ONE LAYER AND THE MULTI FILTER IN CUSTOM MODE. ALL 4 LFOS ARE SET TO RANDOM S/H MODE. HEAVY FILTER MODULATION GOING ON HERE AND IT'S ALL IN SYNC WITH THE WAVE SEQUENCE.
THIS PERFORMANCE HAS A THICK SYNTH BASS SOUND FOR THE LEFT HAND AND A SYNTH PAD/ARPEGGIATOR LAYER FOR THE RIGHT HAND. THE PITCH PERFORMANCE MOD KNOB IS CONTROLLING THE ARPEGGIO PORATMENTO TIME AND THE PAD'S UNISON DETUNE AMOUNT.
FUTURE PWM IS A LARGE SYNTH PAD THAT USES 2 LAYERS IN POLY MODE AND A 3RD LAYER IN UNISON POLY 2 VOICE MODE. ALL LAYERS ARE USING THE PWM MULTISAMPLES. AS USUAL, THE MOD KNOB ASSIGNMENTS ARE EXTENSIVE. THE LAYER MOD KNOBS GIVE YOU CONTROL OVER EACH LAYER'S FILTER CUTOFF, RESONANCE, MULTISAMPLE SELECT, MOD FX MIX AND RATE, UNISON DETUNE, AMP ENVELOPE ATTACK AND AMP ENVELOPE RELEASE. THE PERFORMANCE MOD KNOBS CONTROL ALL LAYERS SIMULTANEOUSLY.
+++++++++++ EXTRA INCLUDED PERFORMANCES +++++++++++
THIS 2 LAYER PERFORMANCE HAS A MARCH LIKE RHYTHMIC WAVE SEQUENCE LAYERED WITH THE 3 VOICE UNISON MULTISAMPLE. USE THE LAYER A SHAPE MOD KNOB AND THE STEP SEQ PERFORMANCE MOD KNOB TO ALTER THE SEQUENCE.
CLASSIC ARCADE ARPEGGIOS ABOUND WITH 2 LAYERS OF RANDOM ARPEGGIO MADNESS.
3 LAYERS OF SQUARE WAVE BASS SOUNDS WITH EACH LAYER AN OCTAVE HIGHER THAN THE LAST. THE MOD KNOBS OFFER SIMULTANEOUS AND INDIVIDUAL CONTROL OVER FILTER CUTOFF, RESONANCE, SAMPLE SELECT, FILTER ENV DECAY & FILTER ENV SUSTAIN.
CLASSIC PWM STRINGS OR PAD THAT USES 2 LAYERS TO PRODUCE A WIDE STEREO IMAGE. BOTH LFO PULSE WIDTH MODULATION AND X-MOD PULSE WIDTH MODULATION MULTISAMPLES ARE ON OFFER VIA THE SAMPLE MOD KNOBS.
THIS IS THE ONLY PERFORMANCE IN THE WHOLE COLLECTION THAT USES A FACTORY MULTISAMPLE. PAN FLUTES FOR ALL! THE FACTORY PAN FLUTE IS LAYERED WITH THE CVCOS 2, 3 VOICE UNISON MULTISAMPLE.
The following 8 performances are initialized versions of the same multisample at different tempos. We didn't create demonstrations for these performances.
"INIT - S-N-H 85.70 bpm" - 1 Layer - Sample and Hold Multisample Init at 85.70 bpm
THIS MULTISAMPLE (SNH 108BPM) HAS THE SAMPLE AND HOLD MODULATION "BAKED IN" AT 108 BPM. THERE ARE 8 DIFFERENT VERSIONS AT VARIOUS TEMPOS. THE DIFFERENT TEMPOS ARE REALIZED BY CHANGING THE SYNTHESIS TUNE PARAMETER AND THE SAMPLE LANE STEP TRANSPOSE PARAMETER. THE TEMPO CHANGES BUT THE PITCH REMAINS THE SAME.
"INIT - S-N-H 90.80 bpm" - 1 Layer - Sample and Hold Multisample Init at 90.80 bpm
THIS MULTISAMPLE (SNH 108BPM) HAS THE SAMPLE AND HOLD MODULATION "BAKED IN" AT 108 BPM. THERE ARE 8 DIFFERENT VERSIONS AT VARIOUS TEMPOS. THE DIFFERENT TEMPOS ARE REALIZED BY CHANGING THE SYNTHESIS TUNE PARAMETER AND THE SAMPLE LANE STEP TRANSPOSE PARAMETER. THE TEMPO CHANGES BUT THE PITCH REMAINS THE SAME.
"INIT - S-N-H 96.25 bpm" - 1 Layer - Sample and Hold Multisample Init at 96.25 bpm
THIS MULTISAMPLE (SNH 108BPM) HAS THE SAMPLE AND HOLD MODULATION "BAKED IN" AT 108 BPM. THERE ARE 8 DIFFERENT VERSIONS AT VARIOUS TEMPOS. THE DIFFERENT TEMPOS ARE REALIZED BY CHANGING THE SYNTHESIS TUNE PARAMETER AND THE SAMPLE LANE STEP TRANSPOSE PARAMETER. THE TEMPO CHANGES BUT THE PITCH REMAINS THE SAME.
"INIT - S-N-H 101.90 bpm" - 1 Layer - Sample and Hold Multisample Init at 101.90 bpm
THIS MULTISAMPLE (SNH 108BPM) HAS THE SAMPLE AND HOLD MODULATION "BAKED IN" AT 108 BPM. THERE ARE 8 DIFFERENT VERSIONS AT VARIOUS TEMPOS. THE DIFFERENT TEMPOS ARE REALIZED BY CHANGING THE SYNTHESIS TUNE PARAMETER AND THE SAMPLE LANE STEP TRANSPOSE PARAMETER. THE TEMPO CHANGES BUT THE PITCH REMAINS THE SAME.
"INIT - S-N-H 108 bpm" - 1 Layer - Sample and Hold Multisample Init at 108 bpm
THIS MULTISAMPLE (SNH 108BPM) HAS THE SAMPLE AND HOLD MODULATION "BAKED IN" AT 108 BPM. THERE ARE 8 DIFFERENT VERSIONS AT VARIOUS TEMPOS. THE DIFFERENT TEMPOS ARE REALIZED BY CHANGING THE SYNTHESIS TUNE PARAMETER AND THE SAMPLE LANE STEP TRANSPOSE PARAMETER. THE TEMPO CHANGES BUT THE PITCH REMAINS THE SAME.
"INIT - S-N-H 114.40 bpm" - 1 Layer - Sample and Hold Multisample Init at 114.40 bpm
THIS MULTISAMPLE (SNH 108BPM) HAS THE SAMPLE AND HOLD MODULATION "BAKED IN" AT 108 BPM. THERE ARE 8 DIFFERENT VERSIONS AT VARIOUS TEMPOS. THE DIFFERENT TEMPOS ARE REALIZED BY CHANGING THE SYNTHESIS TUNE PARAMETER AND THE SAMPLE LANE STEP TRANSPOSE PARAMETER. THE TEMPO CHANGES BUT THE PITCH REMAINS THE SAME.
"INIT - S-N-H 121.15 bpm" - 1 Layer - Sample and Hold Multisample Init at 121.15 bpm
THIS MULTISAMPLE (SNH 108BPM) HAS THE SAMPLE AND HOLD MODULATION "BAKED IN" AT 108 BPM. THERE ARE 8 DIFFERENT VERSIONS AT VARIOUS TEMPOS. THE DIFFERENT TEMPOS ARE REALIZED BY CHANGING THE SYNTHESIS TUNE PARAMETER AND THE SAMPLE LANE STEP TRANSPOSE PARAMETER. THE TEMPO CHANGES BUT THE PITCH REMAINS THE SAME.
"INIT - S-N-H 128.35 bpm" - 1 Layer - Sample and Hold Multisample Init at 128.35 bpm
THIS MULTISAMPLE (SNH 108BPM) HAS THE SAMPLE AND HOLD MODULATION "BAKED IN" AT 108 BPM. THERE ARE 8 DIFFERENT VERSIONS AT VARIOUS TEMPOS. THE DIFFERENT TEMPOS ARE REALIZED BY CHANGING THE SYNTHESIS TUNE PARAMETER AND THE SAMPLE LANE STEP TRANSPOSE PARAMETER. THE TEMPO CHANGES BUT THE PITCH REMAINS THE SAME.
THIS PERFORMANCE CONSISTS OF A RHYTHMIC WAVE SEQUENCE AND A SIMPLE SYNTH PAD LAYER. YOU CHANGE UP THE WAVE SEQUENCE RHYTHM BY USING THE STEP SEQ MOD KNOB.
MW ON PWM USES THE SHAPE MOD PROCESSOR TO SMOOTHLY CROSSFADE BETWEEN 2 DIFFERENT PULSE WIDTH MODULATION MULTISAMPLES.
PET ARP IS A WAVE SEQUENCE/ARPEGGIO LAYERED WITH A LARGE SYNTH PAD OR STRINGS PATCH. AS USUAL, THE MOD KNOBS OFFER CONTROL OVER FILTER CUTOFF, RESONANCE, SAMPLE SELECT ETC...
THIS PERFORMANCE USES THE PROBABILITY PARAMETER IN SEVERAL AREAS AS WELL AS 2 LFOS IN RANDOM S/H MODE TO KEEP THINGS CONSTANTLY CHANGING OVER TIME.
PWM PIANO IS A SIMPLE POLY SYNTH USING A COMBINATION OF THE LFO PULSE WIDTH MODULATION MULTISAMPLE AND THE X-MOD PULSE WIDTH MODULATION MULTISAMPLE.
THIS SINGLE LAYER PERFORMANCE IS A SIMPLE PWM SYNTH STRING PATCH THAT USES THE LFO PULSE WIDTH MODULATION MULTISAMPLE. YOU CAN ALSO SELECT THE X-MOD PULSE WIDTH MOD SAMPLE USING THE SAMPLE MOD KNOB.
THIS PERFORMANCE HAS THE MODWHEEL ON WAH WAH DUTIES. IT'S CONTROLLING THE TALKING MODULATOR PARAMETERS. AFTERTOUCH IS PRODUCING VIBRATO VIA THE SMOOTH MOD PROCESSOR.
THIS 2 LAYER SYNTH LEAD IS USING THE RAW SQUARE WAVE AND THE 3 VOICE UNISON MULTISAMPLES. LAYER B (3 VOICE UNISON) IS TRANSPOSED UP BY A PERFECT 5TH. THE MODWHEEL IS INCREASING THE UNISON DETUNE AMOUNT AND THE VOICE SPREAD WHILE AFTERTOUCH IS PRODUCING VIBRATO AND OPENING THE FILTER A BIT.
UNION SQUAREZ IS A POLYPHONIC LAYER CONSISTING OF THE SAMPLE AND HOLD MULTISAMPLE AND A SYNTH PAD. AS USUAL, THE MOD KNOB ASSIGNMENTS OFFER SIMULTANEOUS AND INDIVIDUAL LAYER CONTROL OVER FILTER CUTOFF, RESONANCE, SAMPLE SELECT ETC...
THIS PERFORMANCE IS A THICK POLYPHONIC SYNTH WITH A WIDE STEREO IMAGE. THE SHAPE AND GATE PERFORMANCE MOD KNOBS CONTROL THE ATTACK AND RELEASE TIMES. THE MODWHEEL IS ON VIBRATO WHILE AFTERTOUCH IS OPENING THE FILTER A BIT.
WAVE SEQ ARPEGGIO IS JUST THAT, A ONE FINGER ARPEGGIO CREATED WITH THE PITCH LANE THAT OFFERS 7 DIFFERENT ARPEGGIOS VIA THE STEP SEQ MOD KNOB. THE PITCH MOD KNOB ENGAGES THE PITCH LANE RANDOM ORDER FUNCTION.
THIS PERFORMANCE IS SNAPPY STEREO POLY THAT OFFERS BOTH THE RAW SQUARE WAVE AND THE LFO PWM MULTISAMPLES.
WTF IS A MUSICAL SOUND FX PATCH THAT STARTS WITH A BUSY, CHAOTIC TYPE OF MESS AND RESOLVES UPON KEY RELEASE INTO A CHOPPED MAJ7 CHORD TONE.
THIS PERFORMANCE IS AN ALTERNATE VERSION OF "XMPWM BELLS". THIS VERSION HAS AN ADDED PITCH MOD ON LAYER B (VIA THE SHAPE LANE) WHICH GIVES IT A HARDER ATTACK SOUND AND MORE OF A BELL LIKE TONE.