PROPHET REV2 VOLUME IV PATCH LIST
Dual Layer
Unison 4 Voice Lead
MW => VIBRATO & VIBRATO RATE
AT => OSC SLOP, CUTOFF & RESONANCE
Note: Turn off the Stack A+B button to remove the perfect fifth.
Dual Layer
Synth Pad
MW => VIBRATO
AT => CUTOFF & NOISE LEVEL
Note: Play a medium-fast downward glissando ending with a sustained low octave interval.
Dual Layer
Arpeggio
MW => ALL ENV RELEASE
AT => CUTOFF & ALL OSC FREQ
Note: Play staccato phrases while manipulating the modwheel for clangorous, overlapping tones.
Dual Layer
Poly Synth/Arpeggio Stack
MW => VIBRATO, PAN & OSC SLOP
AT => CUTOFF, CHORUS FX RATE & DEPTH
Note: Play slow, sustained chords to let the layer B arpeggio cycle through.
Dual Layer
Bass Gated Seq/Arpeggio Split
MW => ALL ENV RELEASE, CUTOFF, NOISE & PAN MOD, FILTER ENV ATTACK/DECAY
AT => CUTOFF & VIBRATO
Note: Simple bass sequence on the left with an arpeggio on the right. Aftertouch is more pronounced on layer B (right) when the modwheel is up.
Dual Layer
Arpeggio/Poly Synth Stack
MW => VIBRATO, VCA RELEASE, CUTOFF, FX MIX, PAN, ALL ENV RELEASE
AT => RESONANCE, CUTOFF, AUDIO MOD & ALL LFO RATES
Note: Try turning on glide for either or both layers.
Single Layer
Arpeggio
MW => VIBRATO
AT => FILTER ENV ATTACK/AMOUNT, DELAY FX MIX & FEEDBACK
Note: Try turning on the Stack A+B button to add a higher octave and a more complex arpeggio pattern.
Dual Layer
Lead
MW => VIBRATO, VIBRATO RATE & CUTOFF
AT => CUTOFF
Note: Reduce the layer A unison voice count to 1 for a softer, more pure tone.
Dual Layer
Arpeggio
MW => VIBRATO & PAN
AT => CUTOFF & VIBRATO
Note: One of the modwheel assignments increases the volume of layer B which brings out the oscillator sync tones a little more.
Single Layer
Piano/Keys
MW => TREMOLO
AT => VIBRATO
Note: Turn on the Stack A+B button to add a higher octave.
Single Layer
Arpeggio
MW => CUTOFF, PAN & ALL ENV RELEASE
AT => VIBRATO
Note: Turn on the Stack A+B button to add a larger arpeggio range with an 8th note echo.
Dual Layer
Synth Strings
MW => VIBRATO
AT => AUDIO SLOP & CUTOFF
Note: Note Number is modulating the filter envelope attack, decay and the vibrato rates. Higher notes equal slower envelope times and faster vibrato rates.
Single Layer
Arpeggio
MW => CUTOFF, RESONANCE & VCA RELEASE
AT => VIBRATO & FILTER ENV DECAY
Note: Use slow modwheel action to sweep the filters.
Dual Layer
Pad
MW => VIBRATO & PWM
AT => CUTOFF
Note: Envelope 3 has a delayed and slow affect on the filter cutoff so hold those notes a bit to hear the full monty.
Dual Layer
Lead
MW => VIBRATO, PWM RATE & OSC MIX
AT => OSC SLOP, PAN MOD, CUTOFF & RESONANCE
Note: Change the layer A unison voice count to 1 for a softer more pure tone.
Dual Layer
Lead
MW => VIBRATO & CUTOFF
AT => RESONANCE, OSC SLOP & CUTOFF
Note: Layer A is a Maj6 Chord. The layer B Oscillator Slop is set pretty high. You may want to adjust this to suit your needs.
Dual Layer
Lead
MW => OSC 2 VIBRATO
AT => RESONANCE & OSC 1 VIBRATO
Note: Layers are panned hard left & right. Both layers use the stereo delay with different beat divisions to produce a stereo ping pong like echo.
Dual Layer
Bass
MW => VIBRATO, VIBRATO RATE
AT => CUTOFF
Note: Turn on the layer A FX for a subtle chorus fx.
Single Layer
Poly Synth
MW => VIBRATO
AT => ALL ENV DECAY
Note: Gated Sequence - Turn on the Stack A+B button to add a perfect fifth to the mix.
Dual Layer
Arpeggio
MW => CUTOFF, RESONANCE, ALL ENV RELEASE & DECAY
AT => VIBRATO
Note: The stereo echo (layer B) is a big part of this sound. Try playing staccato notes with the modwheel up for a synth chime bell tone.
Dual Layer
Lead
MW => VIBRATO & CUTOFF
AT => AUDIO MOD & RESONANCE
Note: This lead patch has to be played to be appreciated. The demonstration doesn't do it justice.
Dual Layer
Bass
MW => VIBRATO
AT => CUTOFF, AUDIO MOD & VIBRATO
Note: This patch can be used as a bass sound or a lead. We like the aggressive tone of the lower octaves.
Single Layer
Lead
MW => OSC 1 VIBRATO, VIBRATO RATE
AT => OSC 2 VIBRATO & CUTOFF
Note: Layer A is a Min 7 Chord. Turn on the Stack A + B button to add a smooth square wave lead.
Dual Layer
Percussion
MW => CUTOFF, RESONANCE
AT => N.A.
Note: 808 style snare drum focused at C2.
Dual Layer
Arpeggio/Drums Gated Seq Stack
MW => CUTOFF, ALL ENV DECAY & RELEASE
PB => FILTER ENV AMOUNT, CUTOFF & RESONANCE
AT => CUTOFF
Note: The pitchbend wheel is used for filter and filter envelope amount modulation in this patch.
Dual Layer
Poly Synth
MW => RESONANCE, LFO 1/2/4, CUTOFF & OSC 1 SHAPE
AT => VIBRATO, CUTOFF & OSC MIX
Note: With the modwheel all the way up this patch becomes a beautiful synth pad.
Dual Layer
Lead
MW => VIBRATO, VIBRATO RATE
AT => CUTOFF
Note: Perfect fifth lead with the root on the left and the fifth on the right.
Single Layer
Poly Synth
MW => CUTOFF & SNH FILTER MOD
AT => VIBRATO
Note: Turn on the Stack A+ B button to add a higher, wider octave to the mix.
Single Layer
Percussion
MW => VIBRATO
AT => OSC PITCH
Note: Thrill to the trill as you cheese out marimba style.
Dual Layer
Poly Synth
MW => VIBRATO, VIBRATO RATE
AT => PWM RATE, CUTOFF & OSC 1 SHAPE
Note: Great for sustained notes and chord or staccato phrases.
Single Layer
Lead
MW => VIBRATO & VIBRATO RATE
AT => CUTOFF & OSC SHAPE
Note: Turn on the Stack A+B button to add a higher flute like tone.
Dual Layer
Poly Synth/Arpeggio Stack
MW => VIBRATO
AT => CUTOFF & LFO RATES
Note: Oscillator slop is set pretty high for layer A. You may want to adjust it to suit your needs.
Single Layer
Lead
MW => VIBRATO
AT => CUTOFF, FLANGER RATE & DEPTH
Note: Turn on the Stack A+B button to add a dotted 8th note echo.
Single Layer
Sound FX
MW => PAN & AUDIO MOD
AT => ENV 3 ATTACK/DECAY, FX MIX & CUTOFF
Note: The modwheel adds a very wide stereo image to this patch.
Dual Layer
Poly Synth/Arpeggio Stack
MW => VIBRATO
AT => CUTOFF, PAN MOD & CHORUS FX DEPTH
Note: Try turning off the Stack A+ B button and playing each layer separately.
Dual Layer
Arpeggio
MW => VIBRATO, ALL ENV RELEASE
AT => CUTOFF, FILTER ENV ATTACK, ENV 3 AMOUNT/DECAY & VIBRATO
Note: Layer A is using the "Up" arpeggiator mode and layer B is using the "Down" mode which creates a polyphonic arpeggio.
Dual Layer
Arpeggio
MW => RESONANCE, ALL ENV ATTACK/RELEASE, CUTOFF & FX MIX
AT => CUTOFF & VIBRATO
Note: The layer A arpeggiator is using the 8th note beat division while the layer B arpeggiator is using the 16 Half setting. This adds a pronounced yet smooth swing to the timing.
Dual Layer
Sound FX
MW => VIBRATO
AT => CUTOFF & OSC SLOP
Note: This patch is a musical sound fx with a large, thumping unison tone and a sustained, dissonant higher tone.
Single Layer
Poly Synth Gated Sequence
MW => VIBRATO & PAN MOD
AT => AUDIO MOD & ENV 3 AMOUNT
Note: Turn on the Stack A + B button to add a higher octave to the mix. Aftertouch adds a fast pitch sweep to oscillator 2.
Dual Layer
Pad
MW => VIBRATO & PAN MOD
AT => FX MIX, AUDIO MOD, CHORUS FX RATE/DEPTH & OSC SLOP
Note: Bright synth pad with a long-ish release.
Dual Layer
Lead
MW => VIBRATO
AT => CUTOFF
Note: Dynamic Min7 chord stab. Velocity is increasing the LPF decay and all envelope release times.
Dual Layer
Lead
MW => VIBRATO, VIBRATO RATE
AT => CUTOFF
Note: Dynamic Maj7 chord stab. Velocity is increasing the LPF decay and all envelope release times.
Dual Layer
Lead
MW => VIBRATO
AT => CUTOFF & PWM
Note: Dynamic Maj6 chord stab with a soft-ish attack. Layer B is a slightly higher inversion of the same chord and using the stereo delay at 100% wet.
Dual Layer
Lead
MW => VIBRATO
AT => CUTOFF
Note: This chord stab is utilizing 2 Maj9 chords to create a very wide stereo image and a pleasing monster chord combo.
Dual Layer
Lead
MW => VIBRATO
AT => CUTOFF
Note: Chord stabs that are panned hard left and right. Layer A is a Maj9 chord and layer B is a Min7 chord.
Dual Layer
Lead
MW => VIBRATO
AT => CUTOFF
Note: 2 chord stabs in a split configuration. The split point is set to G3.
Dual Layer
Lead
MW => VIBRATO
AT => PAN MOD & CUTOFF
Note: Another combination of a Min7 and Maj9 chord.
Dual Layer
Lead
MW => ALL ENV RELEASE
AT => VIBRATO & CUTOFF
Note: Min11 on the left and Min7 on the right.
Dual Layer
Bass Gated Seq/Poly Synth Split
MW => CUTOFF, FILTER ENV AMOUNT/DECAY & VIBRATO
AT => CUTOFF, OSC SHAPE, PAN MOD & VIBRATO
Note: Layer B, the poly synth on the right, works great with plucked octaves and sustained chords.
Dual Layer
Poly Synth Gated Seq/Drums Gated Seq Stack
MW => FX MIX, ENV 3 DECAY, ALL LFO AMOUNT, ALL ENV RELEASE, CUTOFF, PAN & VCA ATTACK
AT => CUTOFF, VCA ATTACK & ALL ENV RELEASE
PB => ALL ENV RELEASE, ALL ENV DECAY
Note: Use the modwheel, pitchbend and aftertouch simultaneously to reach the zenith. Pitchbend is increasing the drums release and decay.
Dual Layer
Bass Poly Seq/Poly Synth Seq Stack
MW => VIBRATO, PWM & CUTOFF
AT => CUTOFF & VIBRATO
PB => ALL ENV DECAY & RELEASE
Note: Hit the sequencer play button to hear the goods. Hold the sequencer record button while playing notes to transpose the sequences. Use the pitchbend wheel to increase/decrease the envelope times.
Single Layer
Poly Synth
MW => OSC SLOP
AT => CUTOFF
Note: Simple poly synth with a long release. Velocity is modulating the vibrato amount and rate as well as the filter cutoff. This patch and the next 3 patches are all based on the same settings with slight changes.
Single Layer
Poly Synth
MW => OSC SLOP MOD
AT => CUTOFF
Note: Simple poly synth with a long release. Velocity is modulating the vibrato amount and rate as well as the filter cutoff.
Single Layer
Poly Synth
MW => VIBRATO & OSC SLOP
AT => CUTOFF
Note: Simple poly synth with a long release. Velocity is modulating the vibrato amount and rate as well as the oscillator shape and pwm depth.
Single Layer
Poly Synth
MW => ALL LFO AMOUNTS, OSC SLOP MOD
AT => CUTOFF
Note: Simple poly synth with a long release. Velocity is modulating the vibrato amount and rate as well as the oscillator shape and pwm depth.
Dual Layer
Poly Synth
MW => VIBRATO
AT => CUTOFF
Note: Simple mellow pluck sound with layer B producing a soft ringing ambience behind layer A..
Dual Layer
Bass Gated Seq/Drums Gated Seq Stack
MW => SUB OSC LEVEL, OSC SLOP, CUTOFF, FX MIX, VCA ENV AMOUNT & PAN SPREAD
AT => VIBRATO
PB => ALL ENV DECAY/RELEASE
Note: Simple drum and bass gated sequences. Use the modwheel and pitchbend simultaneously.
Dual Layer
Poly Synth
MW => VIBRATO
AT => RESONANCE
Note: Dynamic plucks. Aftertouch adds a resonant zing. Try turning off the Stack A+ B button to get rid of the reverb.
Single Layer
Lead
MW => VIBRATO & CUTOFF
AT => OSC SLOP, PAN MOD & VIBRATO RATE
Note: Simple unison legato lead. Turn on the Stack A + B button to add a higher octave to the mix.
Dual Layer
Bass Gated Seq/Poly Synth Split
MW => VIBRATO, OSC SLOP, CUTOFF, AUDIO MOD & RESONANCE
AT => OSC SLOP & FILTER CUTOFF MOD
Note: Unison bass gated sequence on the left and a poly synth pluck on the right.
Single Layer
Poly Synth
MW => VIBRATO & ALL OSC SHAPE
AT => CUTOFF
Note: Turn on the Stack A + B button to add a perfect fifth layer to the mix.
Single Layer
Brass
MW => VIBRATO
AT => CUTOFF & VIBRATO RATE
Note: Tight brass section that also works very well as a polyphonic lead.
Dual Layer
Arpeggio
MW => VIBRATO RATE, OSC SLOP, ALL ENV ATTACK
AT => VIBRATO, CUTOFF & OSC 1 SHAPE
Note: Soft dual arpeggios with layer A set to 8th note triplets and layer B set to 16th note triplets. The modwheel sharpens the attack of both layers.
Dual Layer
Poly Synth/Arpeggio Stack
MW => VIBRATO
AT => CUTOFF
Note: This patch works great for sustained chords as well as monophonic staccato melodies.
Dual Layer
Arpeggio
MW => VIBRATO & VCA RELEASE
AT => CUTOFF, FILTER ENV DECAY & ENV 3 AMOUNT
Note: 2 random arpeggios that both use the 8th trip beat division settings.
Dual Layer
Percussion
MW => ALL ENV DECAY/RELEASE, REVERB FX TIME/TONE & VCA ENV AMOUNT
AT => N.A.
Note: The G3 on the Prophet's keyboard is our favorite key for this snare drum.
Dual Layer
Bass
MW => ALL LFO AMOUNTS & OSC SLOP
AT => CUTOFF
Note: Dynamic, dual layer synth bass patch with a punchy attack and a smooth aftertouch response.
Dual Layer
Pad
MW => VIBRATO
AT => CUTOFF, PWM & OSC MIX
Note: Large dual layer pad with a very wide stereo image.
Dual Layer
Synth Strings
MW => VIBRATO
AT => CUTOFF & OSC SLOP
Note: Large dynamic pulse width modulation synth string sect.
Dual Layer
Poly Synth/Arpeggio Stack
MW => OSC SHAPE, VIBRATO, ALL ENV DECAY/RELEASE, CUTOFF & RESONANCE
AT => VIBRATO & PAN SPREAD
Note: Go from mellow to bright and brash via the modwheel. Aftertouch adds vibrato and pan spread to the arpeggio.
Single Layer
Poly Synth
MW => VIBRATO & PWM RATE
AT => PAN MOD & PWM RATE
Note: Turn on the Stack A+ B button to add a higher octave to the mix.
Single Layer
Poly Synth
MW => OSC SLOP & PAN MOD
AT => CUTOFF
Note: Turn on the Stack A + B button to add a higher octave to the mix. Oscillator 2 is tuned to a perfect fifth on both layers.
Dual Layer
Poly Synth
MW => VIBRATO
AT => CUTOFF
Note: This patch uses the sawtooth and rev sawtooth LFOs to create a rhythm out of pulse width modulation and filter cutoff modulation.
Dual Layer
Sound FX
MW => VIBRATO & FX MIX
AT => N.A.
Note: Short staccato notes produce interesting delay fx anomalies.
Single Layer
Sound FX
MW => VIBRATO & OSC SLOP
AT => CUTOFF & RESONANCE
Note: This patch is one of the very few that only has a single layer. Simple riser sound effect. The modwheel offers extreme detuning via oscillator slop and vibrato.
Dual Layer
Choir/Pad
MW => VIBRATO & VIBRATO RATE
AT => CUTOFF & LFO RATES
Note: Large female synth choir sound.
Dual Layer
Lead
MW => VIBRATO & ALL LFO RATES
AT => CUTOFF
Note: Soft legato lead with envelope 3 pitch shifting oscillator 2 up by a perfect fifth.
Dual Layer
Pad
MW => PWM RATE & FX MIX
AT => VIBRATO
Note: Layer A is a synth brass pad and layer B is a delayed synth strings patch. Layer B is tuned to a perfect fifth.
Dual Layer
Poly Synth
MW => VIBRATO
AT => CUTOFF, OSC SLOP, FX MIX & VCA ENV AMOUNT
Note: This patch works best for staccato chord stabs. Turn off the Stack A+ B button if you need more voices.
Single Layer
Poly Synth
MW => VIBRATO
AT => CUTOFF
Note: Envelope 3 is adding a sharp, delayed boost to the resonance which falls at a tempo of 88bpm. If you change the tempo you will have to adjust the envelope 3 decay time to keep the same timing. Turn on the Stack A+ B button to add a higher octave.
Dual Layer
Arpeggio
MW => OSC SHAPE, PAN & RESONANCE
AT => VCA DECAY/RELEASE, VIBRATO & PAN
Note: In the video demonstration for this patch, aftertouch is engaged on every other half bar. (2 beats)
Dual Layer
Hats Gated Seq/Drums Gated Seq Stack
MW => VIBRATO
AT => CUTOFF
PB => PITCH MOD, ALL ENV RELEASE & CUTOFF MOD
Note: Aftertouch opens the hat. Pitchbend up makes the kick do a dive. Pitchbend down tightens up the envelopes.
Dual Layer
Arpeggio
MW => VIBRATO, VIBRATO RATE, ALL ENV RELEASE, PAN, RESONANCE & FX MIX
AT => CUTOFF
Note: 4 note chords take 2 bars to repeat/cycle, 3 note chords take 1.5 bars, intervals take just 1 bar.
Single Layer
Poly Synth
MW => VIBRATO, CUTOFF & PAN MOD
AT => RESONANCE & AUDIO MOD
Note: Envelope 3 is used to create the swinging filter bump in the beginning of the sound. If you change the tempo you will have to adjust the envelope 3 decay time to keep the same rhythmic timing. Turn on the Stack A+ B button to add a higher octave.
Dual Layer
Lead
MW => VIBRATO & OSC SLOP
AT => CUTOFF
Note: Turn off the Stack A+ B button to remove the higher octaves.
Dual Layer
Sound FX
MW => CUTOFF
AT => RESONANCE & OSC FREQUENCY
Note: Spaceship lift-off. Aftertouch adds more of a turbine quality.
Dual Layer
Sound FX
MW => OSC MIX, OSC 1 SHAPE & FLANGER FX RATE
AT => VIBRATO
Note: Try the lowest octave using the transpose button.
Dual Layer
Chord/Drums Gated Seq Stack
MW => DELAY FX MIX & NOISE LEVEL
AT => LFO 1/2/4 AMOUNTS
Note: Layer A is a Min7 chord. Experiment with aftertouch to add interesting rhythmic changes to the chord filter sweep.
Single Layer
Pad
MW => PAN MOD & VIBRATO
AT => CUTOFF
Note: Turn on the Stack A+ B button to add a higher octave to the mix.
Single Layer
Pad
MW => VIBRATO & PWM RATE
AT => PAN
Note: Turn on the Stack A + B button to add a higher octave to the mix.
Dual Layer
Poly Synth
MW => VIBRATO, VIBRATO RATE & RESONANCE
AT => CUTOFF & OSC SLOP
Note: Wide stereo poly synth with a stereo ping pong like echo.
Dual Layer
Arpeggio
MW => ALL ENV RELEASE & VIBRATO
AT => CUTOFF
Note: We like to use the Unison/Key Sync trick to turn layer A's LFO 1 into a Global LFO for this patch.
- - Unison/Key Sync Trick - -
Set Unison Mode to all available voices. (8 or 16)
Turn on unison.
Turn on LFO Key Sync and press a note.
Turn off LFO Key Sync and Unison.
The LFO will now behave like a global LFO for all voices. You will need to repeat this procedure each time the patch is loaded. Fun!
Dual Layer
Strings
MW => VIBRATO
AT => CUTOFF
Note: This patch sounds great when playing staccato intervals on the 8 voice or 4 voice chords on the 16 voice.
Single Layer
Poly Synth
MW => VIBRATO, PWM & ALL LFO RATES
AT => RESONANCE & CUTOFF
Note: Turn on the Stack A + B button to add a perfect fifth.
Dual Layer
Percussion Gated Seq/Chord Split
MW => ENV 3 AMOUNT, RESONANCE, FILTER ENV AMOUNT & DECAY
AT => FILTER ENV RELEASE & VCA RELEASE
Note: Layer A is a simple conga-like gated sequence. Layer B is a Maj 7 Chord